Sunday, November 16, 2014

Existentialism

Existentialism is defined by Google as "a philosophical theory or approach that emphasizes the existence of the individual person as a free and responsible agent determining their own development through acts of the will." In simpler terms, it is searching for purpose in life through free will and choice. In the beginning of Inferno by Dante Alighieri, the character Dante is a bit an existentialist. He centers his existence only on himself. He has no real regard for any higher power moral code that he should abide by. A lack of belief in a moral code or punishment in the afterlife is characteristic of secular existentialism, and Dante embodies a lot of what that philosophy represents. However, as he makes his journey through Hell, he begins to shed some of the more existentialist aspects of his personality and accept that he should live his life in the name of something greater than himself: God.

The Catcher in the Rye by J.D. Salinger is one of the greatest existentialist novels of all time. Not only is the author a bit of an existentialist who kept to himself cut off from society, the novel's protagonist, Holden Caulfield, is a classic example of an existentialist. Near the beginning of the novel, Holden is getting a lecture from his history teacher when he abruptly decides he doesn't need to be lectured, and leaves Pencey Prep. For the rest of the novel, Holden is mostly alone. He has complete freedom and struggles to find himself while making all of his own decisions, culminating in a mental breakdown. Holden believes he doesn't need to learn anything from anybody but himself, and isolates himself in order to obtain complete free will. He is a complete and total existentialist.  

Thursday, November 6, 2014

Bathos

Bathos is defined as "an abrupt transition in style from the exalted to the commonplace, producing a ludicrous effect" by the Merriam-Webster Dictionary. This is can be observed frequently in the satirical epic poem The Rape of the Lock. Pope will use language that conveys to the reader a dire situation, then abruptly shift his style and talk about Belinda and her lost lock. For example:

“E'er felt such rage, resentment, and despair,
As thou, sad Virgin! for thy ravish'd Hair.” (Pope, 17-20). 

The first of these two lines implies that something awful has befallen a character to make them feel "rage, resentment, and despair." However, the next line reveals that he is talking about Belinda's hair, who's situation is only mildly unfortunate and not warranting of such strong emotions. The ridiculous contrast of the language Pope uses to describe the plot with the events that take place persists throughout the poem to highlight how silly Belinda's adventure really is. 

The film Cast Away employs bathos when depicting the death of Wilson. Wilson is Tom Hanks's companion while he is stranded on an island. Wilson also happens to be a volleyball. When Wilson "dies," Chuck sobs at the loss of his friend. The viewer can't help but be amused as he cries over losing a volleyball, but at the same time completely empathizes with him over losing a close friend. This quick transition makes the viewer feel a wide range of emotions in a short time and become further invested in the story.